I don't know how he got that sound off a classical mouthpiece, but he made it work! The sounds and styles of these greats inspired the creation of this mouthpiece. If you're looking for something modern that would give you a similar sound, anything with a tip opening around a 5 would probably work (Meyer, vandoren pieces, etc.). Recent Articles. Paul Desmond played a Selmer Super Balanced Action with a M.C. Selmer Super Balanced Action 1948 . The word “Desmondish” is obviously referring to Paul Desmond who had one of the most beautiful light signature alto saxophone tones of all time. He … Rico N° 3 . Desmond played a M.C. With its slightly curved side wall, low baffle and medium chamber, this piece puts out a rich, dark, warm sound. Gregory 4A-18M mouthpiece and Rico 3 1/2 reeds. This mouthpiece is a #18 on the right side, that … Hemke premium N° 3 . The subject heading above makes this question sound more esoteric that it is, but give it a chance. Gregory hard rubber mouthpiece. Too much buzz for Desmond but nice. (Listen to Take Five by Paul Desmond and Dave Brubeck as an example). Plainly stated, I’ve been listening to Paul Desmond (of Dave Brubeck fame) lately and am wonder if Desmond’s loose embouchure and airy sound were deliberate. Some very minor tooth wear on the beak (hard to see) and a few very small nicks on the tip and rails but overall the Tip table and rails are in very good shape. Paul Desmond is one of those artists whose contributions to the genre are constantly being echoed by sax players across many genres of modern music, and Claude Lakey is proud to say that our mouthpiece in some small way, helped this jazz giant achieve his signature tone. He gave me this life-altering (at least to a budding saxophonist) advice. Tenor: Eastman 52nd St, Alto: P. Mauriat 67RDK, Soprano: Eastern Music Curvy. He was always one of my favorite players. If you’ve played a Meyer, do you have any thoughts on that claim? Known to have possessed an idiosyncratic wit, he was one of the most popular musicians to come out of the West Coast's "cool jazz" scene. Silly question, but you mean the vintage ones, right? "I play a Selmer alto and a Gregory 4A-18M mouthpiece, both circa 1951, and Ricco 3 1\2 reeds." I believe it was this mouthpiece design along with using a harder reed that facilitated producing the concept of tone Paul Desmond sought to achieve in his playing. mouthpiece. Regarding mouthpieces, Erik Greifenhagen made me a 'Desmond style' mouthpiece a few years back, using a Woodwind Co mpc as blank coupled with a shorter facing and a .067 tip. Gregory hard rubber mouthpiece. Paul Desmond (born Paul Emil Breitenfeld, November 25, 1924 – May 30, 1977) was an … On this graph, the recordings used for the quiz are arranged from the lowest average brightness (the winner being Paul Desmond) to the highest (our champion Michael Brecker). Meyer N° 6M . Year Album Leader Label; 1950: … In addition to the standard Ebonite Meyer, the company also now has the ‘G’ series, which aims to provide a cooler, darker, more mellow sound inspired by the likes of Paul Desmond. This is the first generation first production MC Gregory mouthpiece the Model A which is more desirable. Meyer G Alto Saxophone Mouthpiece Throughout jazz … I too found the Selmer an odd choice. Paul Desmond's contributions are echoed by sax players today, and Claude Lakey is proud to say our mouthpiece helped this jazz giant achieve his signature tone. Generally, the average disparity is relatively even even if Kenny Garrett and Sonny Rollins seem to … As you can see in the photo, it has a nice round chamber opening, not unlike the Selmer Larry Teal mouthpiece I had years ago and wish I hadn't sold to a student. Still has original lapped finish from the factory. The black line represents the average grading disparity: the bigger it is, the more controversy there is about the tone. The intonation on the Gottsu Sepia Tone VI alto saxophone mouthpiece was excellent. I do think he has listened to Desmond. It's the vibrato as a part of the phrasing that defines Paul Desmond in my view. Conceived … I bought a whack of em for like $5 each 10 years ago or so...sold them all for about that too just a year or so later. You do have to reshape the oral cavity when playing high to keep the tone from becoming harsh or edgy in that style. Michel … Meyer n° 5 . saxophone. I agree that there is more reed than Paul Desmond, but he has a marvelous sweet sound. They typically carry with them that cool sound that he was known for. The Phil-Tone Solstice specifically mentions the West Coast Desmond sound as its inspiration, IIRC. I know using similar gear to Desmond won’t make anyone sound like him, but I want to pursue a similar dark, airy, reserved tone on my alto. Although sometimes Getz gets "carried away" and blows too hard on the palm key notes for my taste. Not the modern Conn-Selmer-made line. More Paul Desmond from the Time Out album. Paul Desmond. Gregory, Los Angeles" in a diamond on the middle of the top side, on one edge it reads "4A" on the other "16." Stan Getz also had a somewhat airy sound at times, and Ben Webster was a airy as the bed of a truck racing down a highway. What does 4A and 16 mean? I’ve heard great things about that mouthpiece, but I’ve also heard it’s pretty Meyer-like. Cookies help us deliver our Services. Joking aside my Morgan Jazz L does that pretty well. Ebolin's are usually pretty affordable too (anywhere from 70-150 on ebay). My usual caveat with the chord changes on this chart – it’s especially complex, and chords are not my strong suit, so fair warning on the accuracy! By using our Services or clicking I agree, you agree to our use of cookies. The Solstice harkens to the days of the “West Coast” school of sound, made famous by such greats as Art Pepper, Lee Konitz, and Paul Desmond. Black hard rubber with a little metal ring on it. The serial number is 7438. Id say it is a Meyer or Meyer design. But I suppose if you have a big enough chamber with a flat baffle you will achieve a dark sound no matter what the material is. Selmer Mark VI . If you like his sound, you will probably like these mouthpieces. saxophone. You'll find that this tone is more achievable by practicing it than getting the same mouthpiece. I know using similar gear to Desmond won’t make anyone sound like him, but I want to pursue a similar dark, airy, reserved tone on my alto. This horn is in near mint condition. Not that it's impossible though, as it's a darker metal piece. I like the Meyer 6M I’ve played, but it doesn’t quite give me the sound I’m after. I will get around to getting it repaired someday. I cobbled together what I could from a lead sheet and my ear, neither of which I trust a great deal… Paul Desmond - … V16 Ebonite Alto Saxophone Mouthpieces The V16 Series captures the famous Jazz saxophone sounds of the ‘50s and ‘60s and defines them for a new generation. May 07, 2015. Paul Desmond (November 25, 1924 – May 30, 1977), born Paul Emil Breitenfeld, was a jazz alto saxophonist and composer born in San Francisco, best known for the work he did in the Dave Brubeck Quartet and for penning that group's greatest hit, "Take Five". He … The Solstice has a rich core and a full harmonic palate, while also possessing a lively and lyrical quality. Re: paul desmond He played a Selmer Mark VI, used a Gregory 4A-18M mouthpiece, and Rico 31/2 reeds. Featuring impeccable intonation and articulation, the V16 is designed to be free-blowing and harmonically colourful with a homogenous, powerful sound and a rich dynamic range. For ALL Saxophonists -- professionals, hobbyists, and appreciators alike. tip opening. MC Gregory mouthpieces are generally found in relatively closed tip openings, with their largest sizes being the equivalent to an Otto Link 6. reed. Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Designed specifically for Players looking for a COOL, THICK, WARM, DARK, and SWEET SOUND! https://www.facebook.com/theSaxophoneShop/, https://www.facebook.com/groups/professionalsaxophonerepair/, https://www.facebook.com/MississippiMood/, VerticalScope Inc., 111 Peter, Suite 901, Toronto, Ontario, M5V 2H1, Canada. I love Meyer-style mouthpieces, but they don’t quite have the resistance I’m looking for. mouthpiece. This piece combines superb playability with the warmth and softness of Paul Desmond’s sound. I saw how they had examples of famous players’ sounds (including Desmond) on their customization screen. In fact, the only alto players I've seen playing metal mouthpieces all have a bright edgy sound. MC Gregory 4A 18 Model A Alto Sax Mouthpiece just like Paul Desmond the Legendary sax man with Dave Brubeck. Lou Donaldson. It just hasn't been a priority. That is very nice.
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