Management. We've been hearing the music that she was working on and about to put out. But I think one of the things about this season in general is, the emotions, I think, are heightened. People like TT the Artist, who we have coming back, her music's featured this season. 'Insecure' music supervisor Kier Lehman works to feature some of Los Angeles’ best up-and-coming artists that enhance the raw and unfiltered portrayal of Los Angeles within the show. Has it changed since the show began? Trygge Toven, Toko Nagata - Always Be My Maybe Jason Markey - Hustlers Zoë Bryant, Pete Saville - Blinded By The Light WINNER - Kier Lehman - Queen & Slim Becky Bentham, Karen Elliott - Judy Best Music Supervision for Film Budgeted Under $10 Million. "Insecure" music supervisor Kier Lehman explained what goes into selecting music for the show, and where he looks for undiscovered artists. Okay, here we go." Showtime is a paid streaming service that provides shows and movies. She appears a few times this season and was one of those voices that became a...how do I describe it? Sometimes songs will live in there for a while and then something will come through that just feels really important to include in the show. The veteran music supervisor has been a part of the show since day one, helping establish its reputation as a series where audiences keep one hand hovering over the Shazam button—so much so that it's become a sought-after destination for artists to break new music. When Issa and I were talking about music, she mentioned that Giveon as someone that she's been really into and she actually ended up removing another selection that she had in place of a new EP he was putting out just because she was connecting to it so deeply. Part of it is being on time when the show comes out, but also things that really connect with us—with Issa especially, things that connect strongly with her, [it's] important to make sure that that's represented in the show. She sees the version of it. Our editorial content is not influenced by any commissions we receive. The film featured the platinum selling, chart topping hit Sunflower. Watching this season, you get the sense that the characters have matured a little bit. She takes stuff out, puts things in that she's been thinking about and wanting to use. There's more touching, emotional moments than we've had in the past. I'm trying to think of the best way to explain. I was talking to Issa a couple of weeks ago about the music that she's been listening to in her personal life and she mentioned that she doesn't like to answer that question because the show is an extension of her personal playlist. Please consider joining GMS, and if you do join, tag us and #JoinGMS21 so we can say thanks! I think then musically, we support those moments and we reflect those moments in some really beautiful ways. Getting past that was a big hump. Senior Editor/Pop Culture Geek/Jaÿ-Z Stan/The Summer Man. So then she'll come back to me like, "Hey, can you try these three things?" So the block party episode was a big undertaking, but was it kind of a break for you since most of the music was diegetic sound in this case? All 2 songs featured in Kipo and the Age of… season 1 episode 10: Beyond the Valley…, with scene descriptions. So sometimes at the last minute, things will get replaced like that. Then we still had, basically, the same amount of music as a normal episode on top of the music and the performances. It took me a couple of times of seeing the episode actually [to] really see what it is, but I don't think the audience will have a hard time seeing it. Kier Lehman works in the industry of Television Stations, Broadcasting, Cable & Satellite. NPR Music Reporter Sidney Madden will talk with Issa Rae and Insecure's Music Supervisor Kier Lehman about the pivotal role the soundtrack plays in Insecure. We've done a few seasons now, so we worked out a process that works well for us as far as me sharing music with her and the editors and starting to place things in the episode as we start working on it, and then developing that through the various versions of the episode as they cut it and recut it. Then we get back together and talk about it again and we go through and see, if there's stuff that we're still not happy with. Oscars next!” - Kier Lehman, Music Supervisor, GMS Member As a volunteer led non-profit we rely on support from folks like you to provide educational opportunities, networking events, and advocating for the craft of Music Supervision. COMPLEX participates in various affiliate marketing programs, which means COMPLEX gets paid commissions on purchases made through our links to retailer sites. That was somebody that I discovered a few months ago and just felt like to play for the show. I was really excited about the placement and then the fact that we got to have it on the soundtrack and put it out it was just really rewarding. So they become artists that the voices are really connected to the show. Sometimes I might suggest a few ideas for a scene and she's not satisfied yet. I love that song so much and was hoping that we would be able to find a good spot for it. And that one in particular really touches me when I watch it and think about it. Are there any new artists, or fairly new artists, that you've been excited to feature on the show? Read Less Kier Lehman music supervised the Academy Award winning animated feature, Spider-Man: Into the Spider-Verse. 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Best known as a Music Supervisor based on credits in that role in 19 films, ... please email us at corrections@the-numbers.com We kept playing it a few times each time we reset the story and I think his lyrics and a lot of his stuff just really speak to the stories and the lives of these kinds of characters. Is it still important to stay forward-facing and make sure you're incorporating newer artists? 'Insecure' Music Supervisor Kier Lehman Interview | Complex For Kier Lehman, being the musical mediator between SZA and Issa Rae is all in a day's work. BOSCO. With that, we figured we'd check-in with the ever-busy Kier—who's gearing up to work on Space Jam: A New Legacy, following his recent work on Queen & Slim and Spider-Man: Into the Spiderverse—to get his perspective on the season, the specific challenges it presented, as well as get some teases for big musical moments to come in this last half. Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. Music Supervisor: Kier Lehman Composer: Mark Mothersbaugh Composer: Mark Mothersbaugh Music Supervisor: Kier Lehman Music Supervisor: Gabe Hilfer Music Supervisor: Manish Raval & Tom Wolfe Composer: Enis Rotthoff Music Supervisor: Season Kent & Gabe Hilfer Composer: Matthew Herbert Music Supervisor: Gabe Hilfer Composer: Jonathan Sadoff Music Supervisor: Kier Lehman Music Supervisor… Kier Lehman’s peers at other companies are Yarka Miller, Brian Vickers, Joshua Levitt, Lauren Donaldson, Alex Bandy. Kier Lehman. Kier Lehman, the music supervisor for HBO's Insecure, is currently working on music for Space Jam 2. I think Kirby was somebody who really found her voice over the past year.
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