As the end credits begin to roll, the main character, Maverick, literally flies off into the sunset as the Righteous Brothers harmonic chorus continues in the background. It was performed by two guys from California — Bill Medley and Bobby Hatfield; two guys who came to be known as the Righteous Brothers. [21] According to music writer Robert Palmer, the effect of the technique used was to create a sound that was "deliberately blurry, atmospheric, and of course huge; Wagnerian rock 'n' roll with all the trimmings. Not An Easy Single To Make. [40] Black's version of "You've Lost That Lovin' Feelin'" would prove to be her highest charting UK single apart from her two number ones: "Anyone Who Had a Heart" and "You're My World". Their version of the song was produced by the duo and included a sparse arrangement contrasting with the lavish Righteous Brothers original version. 5 single of 1965. [37] In Britain, Sam Costa, a DJ on the BBC Light Programme, said that The Righteous Brothers' record was a dirge, adding, "I wouldn't even play it in my toilet. Black recorded much material during this time, including songs written by Phil Spector, Randy Newman, Tim Hardin and Burt Bacharach. [40] In its third week on the February 3, 1965 chart, Black jumped to no. Brett McGinness. Catalog; Apps; Subscribe; Help; Log in; Home. Enterprise . [68] According to Tony Hall of Decca Records who was responsible for promoting the Righteous Brothers record in the UK, Black's version was preferred by BBC radio where one of its DJs disparaged the Righteous Brothers' version as a "dirge" and refused to play it. "You've Lost That Loving Feeling" – 3:59 (from Baldry's Out!, recorded in 1979) "Savoir Faire" – 3:22 (from Long John Baldry, recorded in 1980) "Love Me Two Times" – 2:41 (from Long John Baldry, recorded in 1980) "Stay The Way You Are" – 3:27 (from Rock With the Best, recorded in 1981) "Too Late For Crying" – 3:34 (from Rock With the Best, recorded in 1981) "River's … [86] Baldry had first recorded the song – as "You've Lost That Lovin' Feelin'" – for his 1966 album Looking at Long John. The stylish booklet contains a text from the person who recorded the show and liner notes from the producers. Baldry had first recorded the song - as "You've Lost That Lovin' Feelin'" - for his 1966 album Looking at Long John. Cilla Black You've Lost That Lovin' Feeling lyrics & video : You never close your eyes anymore when I kiss your lips. The album was released on July 29, 1980, by RCA Records. [17] Right before the second verse started, Spector wanted the tempo to stay the same, but the beat to be just a little behind where they are supposed to land to give the impression of the song slowing down. [44] It would become the only single to ever enter the UK Top Ten three times, being re-released in 1969 (no. Catalog. The November peak of no. Bill Medley, who has the low voice, seemed to like the song. [26] The radio industry trade publication Gavin Report offered the opinion that "blue-eyed soul has gone too far". In 1999, t…, "You've Lost That Lovin' Feelin'" is a 1965 number-one hit single in the US and the UK by The Righteous Brothers. "[1][33] Mick Brown, author of a biography of Spector, Tearing Down the Wall of Sound, considered the song to be "Spector's defining moment" and his "most Wagnerian production yet - a funeral march to departed love". [1][12], The song would become one of the foremost examples of Spector's "Wall of Sound" technique. Released as a single, Baldry's "You've Lost That Lovin' Feelin'" charted at no. Where is the love? Edit Master Release Data Correct . [5] The song also received 11 BMI Pop Awards by 1997, the most for any song,[110] and has received 14 in total so far. Discover releases, reviews, track listings, recommendations, and more about The Righteous Brothers - You've Lost That Lovin' Feelin' at Discogs. [52], In 2015, the National Recording Registry of the Library of Congress, which each year selects from 130 years of sound recordings for special recognition and preservation, chose the Righteous Brothers rendition as one of the 25 recordings that have "cultural, artistic and/or historical significance to American society and the nation's audio legacy".[7][53]. [14] Mann and Weil had problems writing the bridge and the ending, and asked Spector for help. [7], In 1964, music producer Phil Spector conducted the band at a show in San Francisco where the Righteous Brothers was also appearing, and he was impressed enough with the duo to want them to record for his own label, Philles Records. Recorded live at the International Hotel January 28, 1971 MS Las Vegas, NV. However, Hall and Oates felt that there was "something missing" from the album.
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