This isn’t exactly cheap for a single ten-inch driver in a small (13.5″ x 14.25″ x 16.5″), hefty (53-pound), sturdy box, but it isn’t Thor’s Hammer or JL Audio Gotham (or even REL Series R) territory, either. But if you don’t need the piano finish, you can save $100 and go with the painted wood look; both models should sound exactly the same. JL Audio E-Sub e112 12" Subwoofer. As these tracks are playing, you crawl around the perimeter of your room listening for those areas where the bass sounds weak and thin or those where it sounds boomy and ill-defined (usually in the corners). But then the Raidho D-1 and e110 subs don’t cost what these giants cost, and don’t take up the real estate that these giants do, and (if configured optimally—for which see the sidebar) don’t give anything away in color, speed, definition, or resolution to the biggest of these Big Boys. Powered Subwoofer. It is so grippy and controlled that it would be happy in systems used for serious two-channel music listening, yet is equally at home in a movie-focused environment where real visceral impact is needed. With steeper crossover slopes, such as the 24dB/octave Linkwitz-Riley filters in the e110’s crossover, this should be less of a problem. While JL Audio’s founder and chief design engineer, Lucio Proni, is undoubtedly the main inspiration of JL Audio’s products, it was Kennedy whom JL Audio … Despite the much deeper, more generous bass, the D-1 simply no longer sounded like the speaker I’d fallen in love with. To see the whole range of JL Audio subwoofers available in the UK, go to http://www.av-techsolutions.co.uk/ Also for: E112. What you get for that grand-and-a-half is a highly engineered loudspeaker that incorporates many of the patented Finite Element Analysis-based technologies that JL Audio has been introducing since 1997—such as its Dynamic Motor Analysis program for computer-optimizing driver design, its Vented Reinforcement Collar driver-mount system, its Floating Cone Attachment method of driver construction, and its Engineered Lead-Wire System for internal wiring. View and Download JL Audio E110 owner's manual online. Differences between these models, for 2 channel music, with floor standing speakers ? Introduction The subject of this review is the JL Audio E112 subwoofer, the largest member of their new E Series line. Most important, with the use of a competent room equalizer it's easy to integrate into any … It was as if (and I scarcely exaggerate) a blanket that had been thrown over the deepest bass octaves had suddenly been lifted, revealing an astonishing wealth of previously unheard information—and revealing it with a clarity and definition that I don’t quite hear even with my reference Raidho C-4.1s (though, as you will see, there are other aspects of the bass that the C-4.1s are far better at reproducing). The Absolute Sound is the world’s preeminent source of expert reviews, features, and commentary on high-performance audio and music. You also get a built-in, proprietary Class D amplifier (powered by a proprietary switch-mode power supply) said to be capable of 1200W RMS; a genuine two-way (high-pass and low-pass), built-in, active crossover using a fourth-order (24dB/octave, 80dB/decade) Linkwitz-Riley filter, equipped with variable gain, variable crossover-frequency, and variable phase controls, as well as a polarity (absolute-phase) switch; a ten-inch JL Audio woofer with dual spiders and a linear motor system engineered to provide equal force over the driver’s entire excursion range (with both positive and negative current flowing through the coils) at any applied power level up to the built-in amp’s peak; and a sealed box whose entire front panel is actually the steel mounting flange of the E-Sub’s driver assembly (the back plate of the driver is threaded and bolted to the thick rear wall of the enclosure). It is so grippy and controlled that it would be happy in systems used for serious two-channel music listening, yet is equally at home in a movie-focused environment where real visceral impact is needed. Product Reviews, Previous Post The Absolute Sound’s Buyer’s Guide to Loudspeakers 2018. For more information, visit JL Audio. I requested the larger e112 for this review. Next Post. But…when it comes to pure wallop it ain’t a Wilson XLF or a Magico Q7 or a Raidho D-5. JL Audio combines the home cinema enthusiast's desire for pressure, abundance and explosive-spectacular punch with the audiophile's urge for musicality, flow, rhythm and precision, therefore providing a universally valid answer – and it isn’t 42, but E110! At the same time bottom-end pitch-definition, impact, and extension were dramatically improved. This isn’t exactly cheap for a single ten-inch driver in a small (13.5″ x 14.25″ x 16.5″), hefty (53-pound), sturdy box, but it isn’t Thor’s Hammer or JL Audio … […], It was time to take a stand. Price. All Rights Reserved. These subs seem to pack performance and value and we can't wait to measure their output. e110 subwoofer pdf manual download. A subwoofer’s phase control is intended to adjust the “arrival time” of the sub’s output so that its driver and the main speaker’s woofer or mid/woofer or bass panel are pushing and pulling together throughout the frequency range covered by both units. With the reinforcement provided by a nearer-to-the-wall placement and a higher crossover point, the e110/D-1 seems to size bass instruments—indeed all instruments—more consistently from their top octaves to their bottom ones. JL Audio recently introduced its much-lower-priced E-Sub line, the $1500 e110 (reviewed by Jonathan Valin in Issue 244) and the $1900 e112 reviewed here. It is a … The e110’s price tag may also come as a surprise—$1500 in what JL calls its “black ash” finish, and $1700 in the gloss-black version sent to me. While hearing a fresh bonanza of low-level information about an instrument and the way it is being played is enormously satisfying (and contributes greatly to the sense of being in the presence of that instrument), let me quickly point out that bass-range instruments in particular aren’t just about texture and articulation. According to JL, you should also find certain spots where the porridge is just right, and these are where the subs go. JL Audio E-Sub E110 10" Active Subwoofer Review ... JL Audio provides the 12 ms specification as a good guideline to properly delay the speakers in a surround system by … Of course, this doesn’t mean that your system will sound as coherent or as transparent as it does without subwoofers—or that the sub’s level will not need further tweaking by ear. What JL and Soundoctor suggest is to place one sub at your listening position, facing forward, then plug a CD player directly into the sub’s RCA inputs (using the CD player’s analog outputs), and play back Tracks 22, 23, and 24 of the Soundoctor CD, which contain music with very deep bass. Differences between these models, for 2 channel music, with floor standing speakers ? Thus, it may come as a surprise to learn that I really like JLAudio’s e110 sub, even when it is paired with a two-way. This page aggregates Jl Audio Subwoofer Reviews from expert reviewers and critics all around the web. Although the speaker that I am using with the e110— Raidho’s superb stand-mounted D-1 (review forthcoming, recommendation already the highest)—is a two-way, it has remarkably satisfying mid-to-upper bass. Enclosure type: SealedDriver: 10″Effective piston area: 58.78 square inchesEffective displacement: 131 cubic inchesFrequency response (anechoic): 25–116Hz +/-1.5dB, -3dB at 23Hz, -10dB at 18HzAmplifier power: 1200 W RMS (short-term)Dimensions: 13.5″ x 14.24″ x 16.51″Weight: 52.7 lbs.Price: $1500 in ash, $1700 in gloss, JL AUDIO, INC. 10369 North Commerce Pkwy Miramar, FL 33025-3962 (954) 443-1100jlaudio.com, Loudspeakers: Raidho D-5, Raidho D-1, Estelon X Diamond, MartinLogan CLX , Magnepan 1.7, Magnepan 3.7, Magnepan 20.7Linestage preamps: Soulution 520, Constellation Virgo, Audio Research Reference 10, Siltech SAGA System C1, Zanden 3100Phonostage preamps: Audio Research Corporation Reference Phono 10, Innovative Cohesion Engineering Raptor, Soulution 520, Zanden 120, Constellation PerseusPower amplifiers: Soulution 501 and 701, Siltech SAGA System V1/P1, Audio Research Reference 250, Lamm ML2.2, Zanden 8120Analog source: Walker Audio Proscenium Black Diamond Mk V record player, AMG Viella 12Phono cartridges: Clearaudio Goldfinger Statement, Ortofon MC A90, Ortofon MC AnnaDigital source: Berkeley Alpha DAC 2Cable and interconnect: Synergistic Research Galileo and Galileo LE, Crystal Cable Absolute DreamPower Cords: Synergistic Research Galileo LE, Crystal Cable Absolute DreamPower Conditioner: Synergistics Research Power Cell 10 SE Mk II, Synergistic Research Transporter Ultra SE, Technical BrainAccessories: Synergistic ART system, Shakti Hallographs (6), A/V Room Services Metu panels and traps, ASC Tube Traps, Critical Mass MAXXU M equipment and amp stands, Symposium Isis and Ultra equipment platforms, Symposium Rollerblocks and Fat Padz, Walker Prologue Reference equipment and amp stands, Walker Valid Points and Resonance Control discs, Clearaudio Double Matrix SE record cleaner, HiFi-Tuning silver/gold fuses, Rogue Audio Dragon $3995 Boasting 300Wpc into 8 ohms (500Wpc […], VooDoo Cable is an Oakland, California, cable and accessories manufacturer. Finding myself with the chance to spend some quality time with not one but both of the new E series subwoofers I jumped at the chance, so this will be a special double review of both the e110 … My decision to place the subs nearby the mains and to cross over at a lower-than-recommended frequency in order to more fully preserve the character of the D-1s comes with a slight additional price in imaging and power. There is no surer-fire way of changing a loudspeaker’s character than crossing it over to a powered subwoofer at too high a frequency. Because the D-1 doesn’t really cry out for a subwoofer and because I simply love the beautiful and lifelike way it sounds (which, reduced image size and dynamic power notwithstanding, comes very close to—and in certain respects exceeds—the sound of my reference Raidho C-4.1s), I picked it for this experiment, knowing full well that I would easily hear any changes in its character, and knowing, as well, that in the past I have not been able to mate super-high-resolution two-ways to subwoofers without substantial sonic penalties. A two-way—even a great one like the Raidho D-1—and a ten-inch sub simply can’t move air in the bass and power range the way a big multiway can; nor can such a combo image with the more-lifelike size (particularly image height) of a big multiway. So if both quality andquantity are on your wish list, you owe it to yourself to audition this. It is no secret that I’m not a fan of subwoofers. ", – Tony O'Brien, Stereonet – December, 2019, Read the entire e110 Review on stereo.net.au, Tag: The E112 utilizes an acoustic suspension design with a single 12" front-firing driver. 1 star 2 stars 3 stars 4 stars 5 stars. Many people don’t seem to be as sensitive to this “change of sonic character” as I am, and can live happily with the added bass-range power and extension (and concomitant added breadth and width of soundstage) at what they presumably consider a reasonable cost in tonality and transparency. Copyright 2019, JLAudio. And remember this is coming from someone who hates subwoofers (or used to). The e110’s price tag may also come as a surprise—$1500 in what JL calls its “black ash” finish, and $1700 in the gloss-black version sent to me. With the closer-to-the-speaker positioning and lower crossover point, some instruments seem to shrink a bit in size as they descend in pitch, so that a four-string contrabass, for example, isn’t as big and expansive sounding on its lowest notes (E1 and C1, 41Hz or circa 33Hz) as it is higher up in its frequency range. 1 star 2 stars 3 stars 4 stars 5 stars. It … I could give you musical example after example of the e110/D-1’s virtues, but it is simpler to sum them up like this: In the bottom bass this combination reveals low-level details about pitch, timbre, intensity, and duration more clearly and more often than any loudspeaker I’ve heard, no matter how expensive or sophisticated. With the e110s this means a lower crossover point (lower than 80Hz). Value. 03/09/2016 JL Audio E-Sub E110 Great review of the e110 home audio subwoofers in Stereophile T he venerable hifi magazine's reviewer … JL Audio, Inc. 10369 N. Commerce Pkwy. JL Audio … For the record, JL Audio recommends the same method that Robert Harley recommends in The Complete Guide to High-End Audio: Reversing polarity on the main speakers, playing a test tone at the crossover frequency (Tracks 2 through 17 on the Soundoctor CD give you one-minute test tones ranging from 20Hz to 120Hz at 5Hz and 10Hz intervals), and adjusting the continuously variable phase control for the least amount of bass. (It kind of makes me wonder what JL Audio’s top-line sub—the $12k Gotham, with dual 13.5″ woofs—is capable of, although, when it comes to matching the speed and resolution of a great two-way, there is something to be said for a “quick” ten-inch driver.). JL Audio E-Sub e112 Subwoofer Price: $1900 USD in Black Ash, $2100 in Black Gloss. Track 19 contains “contoured” low-frequency noise (i.e., a test signal with only low-frequency information that has also been contoured for the Radio Shack SPL meter). The first step in the set-up process is finding the spots where the subs are happiest in your listening room.
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